His two “Space Liner 2001” tracks aim to capture previously unheard sounds, and their unadorned electronic thrumming embodies the empty expanse of the cosmos. Three years after the Beatles drew from Indian classical music for Revolver, an architecture student named Jinraj Joshipura looked not to old musical forms but to the next century, composing science-fiction pieces inspired by James Bond flicks and Kubrick’s 2001: A Space Odyssey. The NID Tapes directly challenges Western conceptions of Indian culture. And for those wanting to feel stressed beyond belief, “Shadows of the Show” intermittently recalls the hypnotic illusion of a Shepard tone, continually rising in pitch and intensity as if continually on the verge of exploding. Elsewhere, Mathur’s “Once I Played a Tanpura” captures a scorching solo on the titular instrument. Without the actual theatrical performance to view, its recordings of balmy Indian percussion transform into acousmatic abstractions amid a sea of calming electronic tones. The desire to blend environmental sounds with electronics is the central premise behind the impish “My Birds,” while “Soundtrack of Shadow Play” is an invigorating slab of musique concrète in the lineage of Varèse’s Poème électronique. Mathur extolled the avant-garde composer Edgard Varèse their reverence for the early-20th-century experimentalist is evident in Mathur’s own pieces. On an All India Radio broadcast from 1970, Desai, a Hindustani classical vocalist and composer, and the filmmaker I.S. This stylistic mélange animates Atul Desai’s “Compositions,” whose commingling of percussion and effervescent bleeps channel his desire to seek naad-the ever-vibrating “essence of sound.” This isn’t so much a transition from past to present as an expression of music’s liberatory potential: Given the rigors and hierarchies inherent in learning the sitar or sarod, for example, the Moog symbolized a more egalitarian avenue for ecstatic stimulation of the mind, body, and spirit. It was Sarabhai who oversaw Tudor’s residency, and even prior to this international exchange, she would play records from her personal collection-Western composers like John Cage and Karlheinz Stockhausen, Indian musicians like Ravi Shankar and Kesarbai Kerkar-over the PA system during the NID’s lunch hours. The pedagogical philosophies they favored infused the principles of Maria Montessori and the Bauhaus with ideas of holistic training via Mahatma Gandhi. Sarabhai was a musicologist and revered musician who came from an influential family that pushed for modernist changes in the country. The latter takes us straight into the void, casting lambent, oscillating tones into a monolithic drone. Her first contribution features playful, cartoonish warbles reverberating in the ether. Gita Sarabhai’s two pieces-both simply titled “Gitaben’s Composition”-are emblematic of these studio investigations. Across tape collages and soundtracks, improvisations and field recordings, the overarching feeling is one of restless curiosity. The artist Paul Purgas discovered, reassembled, and digitized its 19 tracks from 27 tape reels, and the results are thrillingly varied. Moog Music today announced Moog Sound Studio: Mother-32 & DFAM & Subharmonicon, an all-in-one Euro system that is designed to make its family of 60HP semi-modular analog synthesizers more accessible and approachable than ever.Īlong with the powerful trio of analog synthesizers (Mother-32, DFAM, and Subharmonicon), the Sound Studio comes with a custom dust cover, dedicated audio mixer and power distribution hub, 3-tier rack kit, audio cables, patch cables, cable organizer, a new synth exploration card game, creative learning tools, artwork and more.The first overview of this short-lived but groundbreaking period comes in the form of a tremendous new compilation, The NID Tapes: Electronic Music from India 1969-1972. The newest Moog Sound Studio package includes the full lineup of Moog’s Mother ecosystem instruments: It’s priced at $1,999 USD, which is less than the price of these three instruments alone, if purchased separately. Mother-32 is a versatile performance and production synthesizer with a step sequencer and 64 slots of sequence memory.
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